12/12/10

What Is The Point Of Wedding Photography? – Part 1: Crossing The Line

Something happened at two recent weddings that upset me greatly. Both involved videographers, which I’ll deal with in part 3 of this series of posts. For the time being, it’s the individual instances that concern me here, as they are indicative of a rot that is setting in among videographers and wedding photographers alike.

Instance 1:

Imagine this: you are the father of the bride. You will only get one opportunity to see your daughter in her wedding dress for the first time – that moment on her wedding day that she appears in front of you, utterly magnificent, before you set off for the ceremony.

Imagine what must go through your head. Your little girl, whom you most likely cradled in your arms straight after she entered the world. You have seen her grow and flourish. Now, you are on the cusp of giving her away. Here she is, an adult and more beautiful and confident and vulnerable and amazing than ever. This is what she will look like as you walk her up the aisle. And you are seeing it for the first time.

This is a very special moment.

Recently, I saw that moment ruined before it had even happened. The father was waiting at the bottom of the stairs and the videographer jumped in the instant the bride’s foot appeared at the top. I can still hear his voice: “Come down to him now. Step towards your daughter. Give her a kiss. Tell her she looks beautiful. Look at the camera.”

I think that is very disturbing.

A moment of that significance obliterated so that he could record a fake, staged, utterly meaningless version. Worse still, he deprived the father and his daughter of the genuine experience of the moment.

Instance 2:

The most important part of a wedding day is the marriage rite. It is the fulcrum of the entire occasion. It is the couple’s single most significant act.

It deserves the utmost respect.

I don’t think that recording the rite a foot away from the bride and groom is respectful:

Videographer blocking the view

The wedding videographer. (c) Roger Overall 2010

I’d like to be blunt and tell you what I think about the particular videographer in the photo above, but upon reading what I’d written, my legal department (ie. my wife) informed me that I should delete the text and burn the computer the words were written on.

Instead, I’ll merely say I think it is disappointing that the videographer decided to film the marriage rite from the viewpoint he did. By doing so, he encroached upon the congregation’s view of ceremony, hiding it from many of them. Certainly, the groom’s parents’ view was blocked – their memory of the instant of their son and daughter-in-law’s marriage is the videographer’s rear end. Some of the guests will have traveled great distances to see his behind.

Sadly, both of these instances are also indicative of how some wedding photographers approach their task. You can see it in the photographs they take.

They too choose to be right up with the couple on the altar, climbing all over the scene like an altar monkey, either blocking (part of) the congregation’s view or forming a considerable distraction.

Or they’re producing photographs of meaningless moments that they stage-manage to the detriment of real moments: the groomsmen dragging the groom into the church, the lads all looking at their watches as if the bride is late, the Reservoir Dogs walk up to the church (sunglasses and all), the list is endless.

I think these photographers have lost the run of themselves. I think too many wedding photographers place their photography above the occasion and the genuine memories.

My own opinion is that this is awful and that the altar monkeys should all [REMOVED AT THE BEHEST OF OUR LEGAL REPRESENTATIVE]. We hear a lot about how the business of wedding photography is in crisis and I think a lot of it is due to the behaviour of wedding photographers themselves.

I’ll explain why in part 2 of this series of posts.

***NOTE*** So, why didn’t I move from my position at the back of the church (my favoured spot for the marriage rite)? Firstly, I initially thought the videographer was just going to pop in for a quick shot and then back off again. By the time I realized he intended to stay put, I didn’t have time to go round the side and up to the front to join the pack on the altar. Even if I had, I would have been a major distraction. Lastly, while I would have had a better view of the rite, I would also have been on top of the couple.

11/25/10

Anatomy Of A Wedding Day #12 – Carina & Julian

PlayPlay

The weather this year in Ireland has been exceptionally good. Even the autumn days have often been crisp and dry, with lots of sun. Usually it just rains.

I’m often asked about the best light for photography at weddings. There is no right answer really, just preferences.

On the one hand, overcast days provide nice, even light. No harsh shadows and for the most part easy exposures. Simply watch for the moments and you’re in business.

On the other hand, bright sunny days give you hard light, with very little in the way of transition between light and shadow areas. This is more difficult light, but it is much more exciting to work with as a documentary photographer. It gives you pools of light, it gives you back light, it gives you light reflecting off surfaces – plenty to play with.

Carina and Julian’s wedding day in Co. Kerry was one of those superb autumnal days with lots of magic light. Magic people too.

Here are some faves, with the occasional anecdote or caption.

Scene-setting photographs are important for wedding coverage. This is all about the autumnal colours of the reflective leaves. In addition, the rocks are integral to the location, as you'll see below. (c) Roger Overall 2010

(c) Roger Overall 2010

White tie - you can't get classier. And hand-tied too. (c) Roger Overall 2010

The reaction from the guest on the far right is great and adds immensely to the photograph. (c) Roger Overall 2010

Bride sharing a joke with her friends on her wedding day

(c) Roger Overall 2010

Groom and best man talking at a wedding in Sheen Falls

Two worlds. My favourite kind of photograph. (c) Roger Overall 2010

The groom standing tall at his wedding in Co. Kerry, Ireland, Europe

There is something heroic about the groom in this photograph. I was too close to include the top of his head and all of his hands, but that only adds to giving him a sense of being a man of substance - someone bigger than the frame. (c) Roger Overall 2010

An almost perfect photograph, foiled by the sloth of my 5DII. I anticipated the kiss, saw it coming, fired the shutter in advance to make up for its ridiculous shutter lag - but got there a nanosecond too early. Nevertheless, it still works as a photograph. Terrific light, story and cute flower girls. What more do you want? (c) Roger Overall 2010

Walking down the aisle

This is my favourite photograph of the year so far. It has everything for me. The bride caught in the light as she walks down the aisle. Her husband-to-be watching her. The radiant smile on her face. This is why sunny days can be so thrilling for documentary wedding photographers. (c) Roger Overall 2010

Church interior during a wedding in Co. Kerry, Ireland

Wedding ceremonies are still predominantly religious affairs in Ireland. The story here is in the gesture of the Christ figure, blessing and watching over the couple. Leaving the photograph in colour accentuates the statue as your eye is drawn to the red robe. (c) Roger Overall 2010

Groom laughing with a guest at his wedding in Co. Kerry, Ireland

(c) Roger Overall 2010

(c) Roger Overall 2010

Groom and a friend at a wedding in Co. Kerry, Ireland

(c) Roger Overall 2010

Bride enjoying a laugh with guests at her wedding in Ireland

(c) Roger Overall 2010

Bride and groom laughing at a wedding in Co. Kerry Ireland Europe

(c) Roger Overall 2010

Documentary reportage wedding photography by Roger Overall

(c) Roger Overall 2010

Wedding guests and the bride laughing at a wedding in Ireland

(c) Roger Overall 2010

Bride and groom kissing

This kiss I did get. And it's the important one. And a reflection into the bargain. Lordy, I'm predictable. (c) Roger Overall 2010

If you’d like to hear what goes through a wedding photographer’s mind on a wedding day, I recorded a series of AudioBoos throughout the day. If you do listen to them, you’ll hear how Butter-Fingers had a scare early on in the day.

Listen!

Listen!

Listen!

Listen!

Listen!

11/16/10

Anatomy Of A Wedding Day #11 – Katie & Kevin

I’ve been shooting a long-term documentary project behind the scenes at Fota Island Resort in Co. Cork – a great project to be doing. In the process, I’ve photographed three weddings from the hotel’s point of view.

A couple of months ago, I had the opportunity to photograph a wedding from the bride and groom’s perspective at the resort.

Wonderful couple with a great group of guests. Lots of smiles and emotion. And a great rehearsed first dance.

Preparations before a wedding Co. Cork, Ireland

(c) Roger Overall 2010

Sharing a joke at a wedding in Co. Cork

(c) Roger Overall 2010

Make up before a wedding ceremony

(c) Roger Overall 2010

Bride and flower girl

(c) Roger Overall 2010

A guest laughs with the groom on his wedding day in Co. Cork Ireland

(c) Roger Overall 2010

A Cork bride gets ready outside the church on her wedding day

(c) Roger Overall 2010

Bride and groom greet their guests at a wedding in Co. Cork, Ireland

(c) Roger Overall 2010

The bride wipes away a tear at a wedding in Co. Cork, Ireland

(c) Roger Overall 2010

Wedding guest photographer in Co Cork, Ireland

(c) Roger Overall 2010

Happy couple toasting each other

(c) Roger Overall 2010

Bride and groom wedding cake decorations

(c) Roger Overall 2010

Reflection of a bride and groom

(c) Roger Overall 2010

Bride in front of a window at Fota Island Resort

(c) Roger Overall 2010

Fota Island Resort wedding

(c) Roger Overall 2010

Fota Island wedding guest laughing

(c) Roger Overall 2010

Fun at Fota Island Resort Wedding

(c) Roger Overall 2010

Bride and groom cutting a cake

(c) Roger Overall 2010

Guests celebrating at a wedding in Co Cork

(c) Roger Overall 2010

Bride and groom dancing at their wedding in Cork

(c) Roger Overall 2010

Bride and groom dancing

(c) Roger Overall 2010

11/9/10

Anatomy Of A Wedding Day #10 – Susie & David

I’m principally a black-and-white sorta guy.

B/W suits the documentary approach. It’s practically part of the photojournalistic DNA.

And I’ve lost track of how many times I’ve explained to couples how colour can be a pretty distraction, whereas B/W makes you look at what is going on in a photograph.

That’s all good and well. To a point.

There is another thing about colour, though – something less often referred to.

It makes documentary work harder. For me at least. I can barely manage to juggle story, composition and light, let alone add in colour.

That said, and although I love B/W to bits, I do want to develop my colour eye.

I have a number of reasons for doing so.

1) We see the world in colour, so colour documentary photographs are that bit closer to the human experience of reality than B/W photographs.

2) If I want to grow as a documentary photographer, colour is a challenge that I will have to master.

So for this Anatomy Of A Wedding, I’ve selected colour photographs only.

Wedding photography in Cork of church windows Ireland

Colour is easier when you have time to think about it, or when there aren't any people in the shot. That's why it's simple to shoot details in colour. You mustn't overdo it, though. Detail shots on their own rarely amount to genuine documentary photography. (c) Roger Overall 2010

This is where the groom was staying on the eve of the wedding. I could have just done a straight photograph of the house, but this struck me as more interesting. The photograph is anchored by the red of the front door, which gives your eyes somewhere to rest while your brain processes the image. (c) Roger Overall 2010

A mother looks at her daughter in the mirror on her wedding day

This is a very subtle image but it has loads of story. Firstly, there is the introspective look of the mother in the mirror as she watches her daughter get ready for her wedding. The second layer of story is that of generations - the older looking on, but also in life children are a reflection of their parents. What I wanted to convey here is the family link: daughter and mother are one. (c) Roger Overall 2010

A bride smiling on her wedding day in Co Cork, Ireland

I don't do many posed shots on a wedding day. Really I don't need to. This is just as much a portrait of the bride as a posed shot would have been. Here she's chatting while getting ready. (c) Roger Overall

Bestman and groom at a wedding in Co Cork, Ireland

Another quiet, contemplative photograph. If you didn't know better you'd think it was the best man looking at the groom and wondering how he'll handle himself when the big moment arrives. Actually, that's the groom looking on. Not a hint of nerves. (c) Roger Overall 2010

Groom being hugged by his mum on his wedding day, Co. Cork

Here the red skin tones help draw your eye to the smiles and the hug. (c) Roger Overall 2010

Bride arriving at her wedding in Co Cork, Ireland

This photograph is especially moody in B/W. However, in colour you get a sense of the season thanks to the foliage on the trees. (c) Roger Overall 2010

Bride laughing with her father on her wedding day in Co Cork, Ireland

Hmm. The skin tones are a bit red here - something you don't have to worry about in B/W. While artistic interpretation of a scene gives you some leeway, this wouldn't qualify. Were this selected for the final album, I'd reduce the red a smidge. (c) Roger Overall 2010

Bridal couple lighting candles during wedding ceremony in Co Cork, Ireland

Colour photography is about compromise when you're faced with different light sources in the same shot. Here I've decided to give the couple's skin tones the preference, resulting in the daylight at the back of the church adding some blue to the yellow tungsten lights. It's not unpleasant. (c) Roger Overall 2010

Bride on the receiving line at her wedding in Co Cork, Ireland

(c) Roger Overall 2010

Bride and groom, and father of the bride, on the receiving line, Co Cork

Using a wide-angle lens allows you to include several stories at once. If you split the frame in half, you'd have two perfectly serviceable photographs. But included in the same frame, they add so much to each other, making for a true tableau photograph rich in story and context. (c) Roger Overall 2010

Groom talks to his bride as they walk through a door, Co Cork, Ireland

(c) Roger Overall 2010

Guests at a wedding talking over coffee at the reception

This doesn't work in B/W. You need the colour to show the warm tones from the lamp on the faces. (c) Roger Overall 2010

Guest laughing at a wedding reception

(c) Roger Overall 2010

Laughter at a wedding reception at Ballyseede Castle, Co Kerry, Ireland

(c) Roger Overall 2010

A bride and groom laughing at Ballyseede Castle, Co Kerry, Ireland

(c) Roger Overall 2010

Ballyseede castle wedding by Cork wedding photographer Roger Overall

(c) Roger Overall 2010

Rainbow over a field in Co Kerry, Ireland

And this just wouldn't have worked in B/W at all. (c) Roger Overall

10/21/10

Anatomy Of A Wedding Day #9

Wedding photography of a flowergirl, Co Kerry, Ireland

(c) Roger Overall 2010

Wedding photography of a flowergirl and shoes at Ballyseede Castle, Co Kerry, Ireland

(c) Roger Overall 2010

Wedding photography of a guest hugging the groom, Fossa, Co. Kerry, Ireland

(c) Roger Overall 2010

Wedding photography at Fossa church, Co. Kerry, Ireland

(c) Roger Overall 2010

Wedding photograph of a bride approaching Fossa chruch, Co. Kerry, Ireland

(c) Roger Overall 2010

(c) Roger Overall 2010

Photography of a wedding ceremony at Fossa, Co. Kerry, Ireland

(c) Roger Overall 2010

Wedding photograph of Fossa church, Co. Kerry, Ireland

(c) Roger Overall 2010

Photography of wedding guests at Ballyseede Castle, Co. Kerry, Ireland

(c) Roger Overall 2010

Guests laughing at Ballyseede Castle, Co. Kerry, Ireland by wedding photographer Roger Overall

(c) Roger Overall 2010

Wedding photograph of a guest at Ballyseede Castle, Co. Kerry, Ireland

(c) Roger Overall 2010

09/1/10

Anatomy Of A Wedding #6

This is an interesting set of images for me personally for several reason. These will become clear as you read the commentary with each photograph.

Wedding Photographer Cork Father Of The Groom

I've said before that parents are often the forgotten people on their childrens' wedding days. Despite the unfortunate positioning of the clothes line, I love this picture. (c) Roger Overall 2010

Wedding photography of a groom and his father Cork Ireland

There was a strong smell of onions in the air. Hardly surprising when the groom had reversed a car over his father's freshly harvested onion crop. Here they survey the damage. A moment they'll both look back on with great humour in years to come. (c) Roger Overall 2010

Wedding photographer back stage at a wedding in Co Cork

A special photograph for so many reasons. It shows a small crisis involving some lost paperwork. It turned up in time, but this captures a little of the anxious moments. This is also a special photograph for a very personal reason. The priest you see here was at my father-in-law's side when he passed away and was of infinite comfort to my wife's family. He is also the man who christened my daughter. (c) Roger Overall 2010

Wedding photography of a guest at a wedding in Cork, Ireland

(c) Roger Overall 2010

Wedding photograph of a father of the bride in Cork Ireland

So you already know I'm the emotional sort and that I love my daughter (see previous post), so you imagine that I'm going to struggle a smidge on her wedding day. There is so much story here in the father of the bride's face as he watches the final preparations before he walks his daughter own the aisle. I see pride and I see love. (c) Roger Overall 2010

Bride and veil, Cork wedding photographer, Ireland

(c) Roger Overall 2010

Bride Groom Glandore Wedding Photographer Cork

(c) Roger Overall 2010

08/29/10

A Week In Pictures

It’s good to be busy, so I’m not complaining. Here is a selection of photographs from five shoots in the past five days.

A customer undergoing treatment at the Fota Island Resort Spa, Co. Cork, Ireladn

Corporate Assignment 1. (c) Roger Overall 2010

Dough at O'Keeffe's Bakery

Corporate Assignment 2. (c) Roger Overall 2010

Setting tables at a wedding venue

Corporate Assignment 3. (c) Roger Overall 2010

A guest enjoys a drink at a wedding reception Hayfield Manor Hotel, Little Island, Co. Cork, Ireland

Wedding Assignment 1. (c) Roger Overall 2010

Bride in a doorway at her wedding reception at Radisson Blu Hotel, Little Island, Co Cork, Ireland

Wedding Assignment 2. (c) Roger Overall 2010

08/23/10

Anatomy Of A Wedding #5

Another selection of favourites from a recent wedding with commentary.

Bride and bridesmaid looking at a wedding dress, Co Cork, Ireland

I have two photographs of this exchange between the bride and the flower girl. This is my favourite. Just. The other was taken side on with a wide angle and shows more of the room. The light on the bride's face is more pleasing to me in this one, taken with a standard lens. There is great story here and you can almost write the dialogue yourself. (c) Roger Overall 2010

Smelling flowers at a wedding in Co Cork, Ireland

Men do love their flowers. I'll be honest, I was concentrating on the page boy. That was where the story was. I was aware that the groom's father had a bunch of flowers as well, but only noticed afterwards that he was examining them - mirroring the little boy's movement. (c) Roger Overall 2010

Page boy on the run during a wedding ceremony in Co Cork, Ireland

And he was the well-behaved one. (c) Roger Overall 2010

Bride and groom on their wedding day at a church ceremony in Co. Cork, Ireland

On an average wedding day, a couple gets to spend surprisingly little time together - or at least time when they can have a private exchange. Holy communion is usually the first chance they get, and often they take it. I always set myself so that I have a clear view of the couple, just in case. I love the echo of the couple's intimacy and the exchange between lads on the front bench. The bride's gesture is also wonderful to me. (c) Roger Overall 2010

Bride enjoying a laugh with her guest on her wedding day in Co Cork by Cork Wedding Photographer Roger Overall

Weddings are happy occasions. This says everything. (c) Roger Overall 2010

A wedding guest photographer takes a picture at wedding in Co Cork, Ireland

What caught my eye here initially was the light in the entrance, which lit up the bride. The guest, a very dapper man dressed in black tie, was also waiting for them to come in. He makes this picture. (c) Roger Overall 2010

Wedding guests on their way to dinner at a wedding in Co Cork by Wedding Photographer Roger Overall

Something different. I like the almost total blur of the first two people compared with the relative lack of it for the second pair. (c) Roger Overall 2010

Bride and groom on their way to dinner at their wedding in Co Cork, Ireland

A missed opportunity - sort of. I have a series of shots of the couple as they walked down this corridor. This is the best one in terms of the bride's reflection in the glass frames. I've chosen it because the reflection was what I was after. However, there is a picture a few paces earlier where the couple are smiling at each other. Unfortunately, they are too far back to be reflected. You win some, you lose some. This is still pleasing to me because the bride looks so contented. (c) Roger Overall 2010

07/19/10

Anatomy of a Wedding #4

Last week I spent some time working on a new black and white conversion in Lightroom, the software I use to process my image files. In the end, I got close enough to what I wanted to use the conversion on a recent wedding.

This wedding was a bit of a mind bender. The groom has a twin. They are the spitting image of each other – or the “head off each other”, as the saying goes round this way. Once dressed in their suits they were indistinguishable on the day, save for the colour of their ties. I’m not kidding. The bride’s mum congratulated the best man instead of the groom after the ceremony. That’s how alike they are. Fortunately, I’d been warned about their similarity in advance and the groom made sure I had the tie colour code ahead of time.

I’ve photographed identical twins before at a wedding. On that occasion, I didn’t know the bride had a twin sister. It wrecked my head for about 20 minutes when I arrived at the bride’s house. She’d walk out one door in a dressing gown, only to enter again through another a nano-second later wearing a summer frock.

Name tags, that’s what I say.

Fixing a ribbon to a car on a wedding day in Cork, Ireland

Three generations of the same family in a single picture. (c) Roger Overall 2010

Wedding photograph of ultimate concentration while fixing a ribbon to a car on a wedding day in Co. Cork, Ireland

This is the best man, the groom's twin brother. I love the concentration that comes with tying ribbons to a car. (c) Roger Overall

Wedding photography of a bride being made up in Co. Cork, Ireland

It's hard sometimes to get a different sort of photograph of the bride getting ready. I like the smile on her face as she talks to the make-up artist and the way the reflection completes a border around the scene. (c) Roger Overall 2010

Wedding photograph of of people gathered at the bride's house, Co. Cork, Ireland

Your guess is as good as mine. There are some details that add to this photograph, fleshing out the story. The clock, for instance tells us what time it was. The figure of Jesus in the frame tells us about the family's relationship to religion. (c) Roger Overall 2010

Wedding photograph of the best man at a church in Co. Cork, Ireland

The groom... no best man... This is all about the lighting and the verticals. (c) Roger Overall 2010

Wedding photograph of a bride smiling at friends during holy communion at a wedding mass in Co. Cork, Ireland

Usually I'm able to get a photograph of the bride and groom chatting as holy communion goes on behind their backs. Here, though, they are thronged by the congregation, which made it hard to get any picture at all. Thankfully, there was a break in the line and I got this interaction between the bride and some friends. I dulled the areas around her to let her sparkle a bit, drawing the viewer's eye in to her. (c) Roger Overall 2010

Wedding photography of a groom being hugged in the church, Co. Cork, Ireland

A lovely moment - one that lifts the picture above the usual walking down the aisle photograph. (c) Roger Overall 2010

Wedding photography of a groom taking off his wedding ring, Co. Cork, Ireland

OK, what's wrong here? ... Anyone?... The groom is taking off his wedding ring, sure, but that's not what's wrong. What's wrong is that the bride had slipped it on the wrong finger during the ceremony. Once outside the groom quickly swapped it over to his left hand. This photograph is of itself unremarkable, but it does show the strength of documentary photography. The ring anecdote will add colour to the stories of this wedding for years. And here is a photograph to go with the tale. (c) Roger Overall 2010

Wedding photograph of a groom watching a group shot being taken at his wedding in Co. Cork, Ireland

(c) Roger Overall 2010

Wedding photograph of a bride waving from her car to her mother, Co. Cork, Ireland

One of my most accomplished photographs ever. The bride is waving at her mother as she leaves the church. For me, there is an echo through the ages. The way the mother is reflected in the window makes it almost look as if she is in the car, as she once would have been, maybe even leaving the same church on her wedding day. This photograph will mean the world in the years ahead to both of them. (c) Roger Overall 2010

Wedding photograph of the groom's mum's hat almost taking off in the wind, Co. Cork, Ireland

We get a lot of wind in Ireland. (c) Roger Overall 2010

Wedding photography of father of the bride laughing in the bar with the groom at a wedding in Co. Cork, Ireland

The father-of-the-bride and the groom - just a terrific interaction full of warmth and sparkle. (c) Roger Overall 2010

Wedding photograph of the bride and her friends, Co. Cork, Ireland

I'd been asked to photograph the bride and her circle of closest friends. At one point they all lined up for a bank of guest photographers. This to me, though, is a far more interesting photograph of the group. No, you can't see everyone's face, but you can see the dynamism and fun, which I think are far more important. (c) Roger Overall 2010

Wedding photography of a bridesmaid at a wedding reception in Co. Cork, Ireland

Not a classic, by any stretch of the imagination, but it is a very arresting image. The hand gesture is dramatic and what makes the whole thing work for me is the lighting on the bridesmaid's right eye. (c) Roger Overall 2010

07/13/10

Anatomy of a Wedding #3

Wednesdays are normally reserved for PictureBoos. But sometimes your blogging schedule and your life run off in different directions.

The Boo will follow shortly. In the meantime, here is a selection of photographs with commentary from the recent wedding in Co. Kerry.

A quick nod to the bride, Caroline, who helped with the logo for The Circle of Confusion with Peter and Roger by making some wonderful suggestions as we discussed her wedding at Cork Airport back in April.

Wedding photograph of a straightening his hair, Co Kerry, Ireland

They tell you never put your subject in the centre of the frame. It's boring. Possibly. Here the dullness of the composition is helped by the leading lines of the wine glasses and the gesture by the groom. (c) Roger Overall 2010

Wedding photography of a groom having his laces tied, Co Kerry, Ireland

Another photograph with the subject in the centre. However, it works because the leading lines in the photograph all lead to the groom - more or less. The railing, the bench and the tiles are the obvious ones. The groups of people either side also help direct your eye to the groom. Lastly the two trees draw your eye in as well because the innermost one is smaller, so you have the sense of a slope from right to left into the centre of the frame. Lastly, I think this photograph works because of the story and the mild humor it contains. (c) Roger Overall 2010

Groom being hugged on his wedding day in Sneem, Co Kerry, Ireland

You can't beat emotion in a photograph, especially if it is joy and friendship. The left of the frame is balanced by the reflection of the smiling lady in the window. (c) Roger Overall 2010

Wedding photograph of a little boy hiding under a table in Sneem, Co. Kerry, Ireland

There is more going on here than meets the eye. Children are often strangers at weddings. They can't really join in, so there is a separation between them and the adults. This is emphasized here by a whole range of things. Firstly, the crouching under the table, hidden from view. Secondly, by the height difference between the small boy and the adults, which is exaggerated by the low camera angle. Lastly, the boy is boxed in by the table structure and the umbrella pole. He is in his own separate frame.(c) Roger Overall 2010

The bride's mother shares a joke with the groom at a wedding in Co. Kerry, Ireland

I just love the expression in this picture. (c) Roger Overall 2010

A couple share a tender moment at their wedding in Co. Kerry, Ireland

This is a real favourite of mine. Importantly, it shows the couple and the tenderness between them. It is also a photograph of twos. Two people. Two chairs on the left. Two windows on the left, and two on the right. Two paintings on the wall. There are even two candles on stands in the background (c) Roger Overall 2010

A couple greets their guests at their wedding in Sneem, Co. Kerry, Ireland

This photograph is all about expressions. They range from joy to gentle smiles, to introspection and, if you look for it, what appears to be shock. (c) Roger Overall 2010

Wedding guests sets up a TV at a wedding in Co. Kerry, Ireland

(c) Roger Overall 2010

A sculptured head

The ability of the artist who made this sculpture is astonishing. It lives. It is listening to the conversation. (c) Roger Overall 2010

High five between guests at a wedding in Parknasilla, Co. Kerry, Ireland

I don't remember taking this. That's not uncommon for me. I experience a wedding so intensely sometimes that my mind discards photographs as soon as they are taken to allow it to concentrate fully on the next one. (c) Roger Overall 2010

Curved mirror reflection of a bride talking to a guest, Co Kerry, Ireland

A lovely interaction between the bride and a guest, made more interesting by the curve of the reflection. (c) Roger Overall 2010

The groom delivers his speech at a wedding in Co Kerry

Another favourite. I don't need to tell you why. A superb couple. (c) Roger Overall 2010