Anatomy Of A Wedding Day #12 – Carina & Julian
The weather this year in Ireland has been exceptionally good. Even the autumn days have often been crisp and dry, with lots of sun. Usually it just rains.
I’m often asked about the best light for photography at weddings. There is no right answer really, just preferences.
On the one hand, overcast days provide nice, even light. No harsh shadows and for the most part easy exposures. Simply watch for the moments and you’re in business.
On the other hand, bright sunny days give you hard light, with very little in the way of transition between light and shadow areas. This is more difficult light, but it is much more exciting to work with as a documentary photographer. It gives you pools of light, it gives you back light, it gives you light reflecting off surfaces – plenty to play with.
Carina and Julian’s wedding day in Co. Kerry was one of those superb autumnal days with lots of magic light. Magic people too.
Here are some faves, with the occasional anecdote or caption.

Scene-setting photographs are important for wedding coverage. This is all about the autumnal colours of the reflective leaves. In addition, the rocks are integral to the location, as you'll see below. (c) Roger Overall 2010

(c) Roger Overall 2010

White tie - you can't get classier. And hand-tied too. (c) Roger Overall 2010

The reaction from the guest on the far right is great and adds immensely to the photograph. (c) Roger Overall 2010

(c) Roger Overall 2010

Two worlds. My favourite kind of photograph. (c) Roger Overall 2010

There is something heroic about the groom in this photograph. I was too close to include the top of his head and all of his hands, but that only adds to giving him a sense of being a man of substance - someone bigger than the frame. (c) Roger Overall 2010

An almost perfect photograph, foiled by the sloth of my 5DII. I anticipated the kiss, saw it coming, fired the shutter in advance to make up for its ridiculous shutter lag - but got there a nanosecond too early. Nevertheless, it still works as a photograph. Terrific light, story and cute flower girls. What more do you want? (c) Roger Overall 2010

This is my favourite photograph of the year so far. It has everything for me. The bride caught in the light as she walks down the aisle. Her husband-to-be watching her. The radiant smile on her face. This is why sunny days can be so thrilling for documentary wedding photographers. (c) Roger Overall 2010

Wedding ceremonies are still predominantly religious affairs in Ireland. The story here is in the gesture of the Christ figure, blessing and watching over the couple. Leaving the photograph in colour accentuates the statue as your eye is drawn to the red robe. (c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

(c) Roger Overall 2010

This kiss I did get. And it's the important one. And a reflection into the bargain. Lordy, I'm predictable. (c) Roger Overall 2010
If you’d like to hear what goes through a wedding photographer’s mind on a wedding day, I recorded a series of AudioBoos throughout the day. If you do listen to them, you’ll hear how Butter-Fingers had a scare early on in the day.



















































































